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类型:剧情片
主演:Nimisha Sajayan Suraj Venjaramoodu
导演:Jeo Baby
语言:马拉雅拉姆语
年代:未知
简介:After marriage, a woman struggles to be the submissive wife that her husband and his family expect her to be. The story follows her journey, as she changes herself and, even more so, changes the household热血高校3在线观看完整版免费
备注:已完结
类型:剧情片
主演:Tamara Akulova Karina Andolenko Ele
语言:其它
年代:未知
简介:阿列克塞(谢尔盖·贝泽鲁科夫 Sergei Bezrukov 饰)是一位非常有名的芭蕾舞演员,却在一次表演中身受重伤,不得不告别舞隔壁邻居韩国电影。阿列克塞一生都将芭蕾舞表演视作是自己生命的支柱,因此这一重大变故给予了阿列克塞沉重的打击。 一晃眼二十年过去,阿列克塞的身体状况每况愈下,甚至很快就将会无法行走。然而,越是身陷低谷,阿列克塞就越是无法忘却对于芭蕾舞的热情。在这二十年中,阿列克塞一直都在设计一些难度非常高的芭蕾舞动作,现在,单纯的设计已经再也无法满足他了,他决定再度站上舞台,向病魔宣战。可是,阿列克塞要面对的并非生理上的痛楚这么单纯,他还要抵御周遭人的诋毁和怀疑。
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类型:剧情片
主演:伊梅雅格特伊·科伦尼伊乐迪 保罗·沃尔特·豪泽 安东尼·安德森 乌佐·
语言:英语
年代:未知
简介:在这部成长题材剧情片中,一位退隐的音乐神童(卡希尔·伊夫雷奇饰演)与一位倒霉的高中保安(安东尼·安德森饰演)意外成为了朋友。他们因为对嘻哈音乐的共同热爱而走到一起,他们试图努力让对方从过去的痛苦中摆脱出来,同时希望登上舞台表演。《节拍救赎》由克里斯·罗宾逊(《新美国故事》《New Edition 的故事》)执导,伊夫雷奇、奥卓·阿杜巴和伊梅雅格特伊·科伦尼伊乐迪共同主演,这也是伊夫雷奇的电影处女作。《节拍救赎》是对芝加哥南区的终极颂歌,其创造音乐的悠久历史不断地为这个城市注入活力激情在线电影
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类型:剧情片
语言:其它
年代:未知
简介:证人韩剧The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.